One of my favorite authors is not extremely well-known, though she is well-read in feminist and lesbian circles. Two years ago I read May Sarton: A Biography, by Margot Peters. In Sarton’s novels, the reader is infused with a sense of healing — there is a tenderness in her handling of complex human issues. She wrote about growth, love, transformation. She expressed herself poetically. Even her journals — raw, at times — can be exquisite in their detail and insight. However, the biography revealed her to be needy, verbally abusive, impulsive, arrogant, intense, rageful, and, I suspect, bipolar. Did that dismay me? No, actually not. For as unattractively as she could behave, her work stands on its own. The critics never gave her the due she desired and, I think, deserved. She also wanted to be a poet, and this is what she considered herself primarily to be. She wrote novels and taught to put a roof over her head (with the help of family money).
Sarton was revealed to me as a fragile, broken person through whom beauty emerged. Isn’t that what we all are, and what we aspire to do?
I Googled around and found lots of bibliographies (not an extensive search, mind you) but all listed the work alphabetically. I read May Sarton’s book about a cat as a teenager, and then I worked my way through her oeuvre, reading her recent novels; only later could I get ahold of her first works. I think it’s important to read an author chronologically to experience their development. There’s a lot more of Sarton remaining for me to read; I have only read one journal and a book of poems. She was prolific. When she died at age 83, she had published 53 books. What follows is a selected bibliography based on what I scouted on the net. A brief biography can be read here.
Novels (in order of publication):
- A Single Hound, ©1938.
- The Bridge of Years, ©1946.
- Shadow of a Man, ©1950.
- A Shower of Summer Days, ©1952.
- Faithful Are the Wounds, ©1955.
- The Fur Person, ©1957.
- The Birth of a Grandfather, ©1957.
- The Small Room, ©1961.
- Joanna and Ulysses: A Tale, ©1963.
- Mrs. Stevens Hears the Mermaids Singing, ©1965.
- Miss Pickthorn and Mr. Hare: A Fable, ©1966.
- The Poet and the Donkey, ©1969.
- Kinds of Love, ©1970.
- As We Are Now, ©1973.
- Crucial Conversations, ©1975.
- A Reckoning, ©1978.
- Anger, ©1982.
- The Magnificent Spinster, ©1985.
- The Education of Harriet Hatfield, ©1989.
Journals and Memoirs (in order of publication)
- I Knew a Phoenix: Sketches for an Autobiography, ©1959.
- Plant Dreaming Deep, ©1968.
- Journal of a Solitude, ©1973.
- A World of Light: Portraits and Celebrations, ©1976.
- A House by the Sea: A Journal, ©1977.
- Recovering: A Journal, ©1980.
- At Seventy: A Journal, ©1984.
- After the Stroke: A Journal, ©1988.
- Endgame: Journal of the Seventy-Ninth Year, ©1992.
- Encore: Journal of the Eightieth Year, ©1993.
- At Eighty-two: A Journal, ©1996.
- At Fifteen: A Journal. edited by Susan Sherman. Orono, Maine: Puckerbrush Press, 2002.
Poetry (in order of publication):
- Encounter in April. Boston: Houghton Mifflin, 1937.
- Inner landscape. Inner landscape; poems, by May Sarton. Printed in England first by Cresset Press, London, 1939 and then in Boston by Houghton Mifflin with a slightly different arrangement.
- The lion and the rose: poems. New York: Rinehart & Company, Inc., 1948.
- The leaves of the tree: poems. Cornell college chapbooks, no. 22. Mount Vernon, Iowa, The English Club of Cornell College, ©1950.
- The land of silence, and other poems. New York, Rinehart, 1953.
- In time like air; poems. New York, Rinehart, 1958.
- Cloud, stone, sun, vine; poems, selected and new. New York, W. W. Norton, ©1961.
- A Private Mythology: Poems, ©1966.
- As Does New Hampshire and Other Poems, 1967.
- A Grain of Mustard Seed, ©1971.
- A Durable Fire: New Poems, ©1972.
- Collected Poems (1930-1973), ©1974.
- Selected Poems of May Sarton, ©1978.
- Halfway to Silence: New Poems, ©1980.
- Letters From Maine: Poems, ©1984.
- The Silence Now: New and Uncollected Earlier Poems, ©1988.
- Collected Poems (1930-1993), ©1993.
- Coming into Eighty: New Poems, ©1994.
- Catching Beauty: The Earliest Poems. edited by Susan Sherman. Orono, Maine: Puckerbrush Press, 2002.

About a year or so back I read one of her journals, At Seventy I think it was. Honestly, I was a bit intimidated by Ms. Sarton. To be that active and outgoing at that age amazed me to no end. (My grandparents all died rather young, or were quite ill at the end.) Because of my intimidation, I have yet to read more of her journals or books, even though I enjoyed At Seventy so much. Perhaps I should read the biography. Sometimes it is nice to see an author as just as human as you, the reader, are.